<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0"><channel><title><![CDATA[Communication Newsletter: ... At The Movies]]></title><description><![CDATA[In this series Chad analyzes and disucsses communication done well....and not so well. In addition to entertainment values, he explores communciation strategies, concepts, and practices that are done well and failed at in movies.]]></description><link>https://www.communicationnewsletter.com/s/at-the-movies</link><image><url>https://substackcdn.com/image/fetch/$s_!eZNl!,w_256,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3e12db3f-e42f-418a-837d-38dbfeac07a0_500x500.png</url><title>Communication Newsletter: ... At The Movies</title><link>https://www.communicationnewsletter.com/s/at-the-movies</link></image><generator>Substack</generator><lastBuildDate>Fri, 15 May 2026 05:34:09 GMT</lastBuildDate><atom:link href="https://www.communicationnewsletter.com/feed" rel="self" type="application/rss+xml"/><copyright><![CDATA[Eaves Group]]></copyright><language><![CDATA[en]]></language><webMaster><![CDATA[media@chadeaves.com]]></webMaster><itunes:owner><itunes:email><![CDATA[media@chadeaves.com]]></itunes:email><itunes:name><![CDATA[Chad Eaves]]></itunes:name></itunes:owner><itunes:author><![CDATA[Chad Eaves]]></itunes:author><googleplay:owner><![CDATA[media@chadeaves.com]]></googleplay:owner><googleplay:email><![CDATA[media@chadeaves.com]]></googleplay:email><googleplay:author><![CDATA[Chad Eaves]]></googleplay:author><itunes:block><![CDATA[Yes]]></itunes:block><item><title><![CDATA[Superman]]></title><description><![CDATA[Listen now | Communication At The Movies]]></description><link>https://www.communicationnewsletter.com/p/superman</link><guid isPermaLink="false">https://www.communicationnewsletter.com/p/superman</guid><dc:creator><![CDATA[Chad Eaves]]></dc:creator><pubDate>Fri, 15 Aug 2025 12:22:23 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/170621493/d117400b1f14e53909dfe10a9e6c601f.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<p>It's a bird! It's a plane! It's a "meh" reboot of Superman? There's good. There's bad. Then there's ...just...well watch the analysis. The big communicators (and leaders) were not that guy in the red cape. Some solid communication examples. A lot of missed opportunities. How does it stack up for movie of the summer?</p>]]></content:encoded></item><item><title><![CDATA[F1: The Movie - Overview]]></title><description><![CDATA[Communication At The Movies]]></description><link>https://www.communicationnewsletter.com/p/f1-the-movie-overview</link><guid isPermaLink="false">https://www.communicationnewsletter.com/p/f1-the-movie-overview</guid><dc:creator><![CDATA[Chad Eaves]]></dc:creator><pubDate>Sun, 10 Aug 2025 22:30:08 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/170615398/0e7b8b0a30957bc0cb15ca2894430195.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<p>NOTE: This video is part one of a four part set on &#8220;F1: The Movie&#8221;. There was just too much to cram into one video. </p><p>In the YouTube series "Communication at the Movies," we delve into the intricate communication and business strategies depicted in "F1: The Movie." This film, set in the world of Formula 1 racing, not only provides high-speed entertainment but also offers a study on communication within a competitive environment. Central to the story are four primary characters: team owner Rubin Cervantes (Javier Bardem), rookie driver Joshua Pearce (Damson Idris), veteran driver Sonny Hayes (Brad Pitt), and team technical director Kate McKenna (Kerry Condon). Each character brings unique communication styles and challenges, such as Rubin's clear articulation of team stakes and Kate's determination to prove her worth in a male-dominated field. </p><p>Joshua Pearce's storyline delves into the distractions of fame and social media, illustrating the impact of poor communication on personal and team dynamics. Meanwhile, the experienced Sonny Hayes offers a contrast with his seasoned approach, showcasing the importance of grit and hard-earned lessons. Kate McKenna's role as the first female technical director highlights communication skills required to break barriers and succeed. Through this analysis, the film demonstrates how communication can influence outcomes, offering viewers valuable takeaways beyond the thrilling race scenes.</p>]]></content:encoded></item><item><title><![CDATA[Communication At The Movies: F1 The Movie - Excellent Display of Mentoring]]></title><description><![CDATA[Communication At The Movies]]></description><link>https://www.communicationnewsletter.com/p/communication-at-the-movies-f1-the-b0d</link><guid isPermaLink="false">https://www.communicationnewsletter.com/p/communication-at-the-movies-f1-the-b0d</guid><dc:creator><![CDATA[Chad Eaves]]></dc:creator><pubDate>Sun, 10 Aug 2025 22:06:26 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/170618812/2a93270abe739adf0b66f64f3e2e98ed.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<p>The series "Communication at the Movies" highlights the multifaceted dynamics and benefits of mentoring, showcasing examples that span traditional top-down mentoring, peer mentoring, and even mentoring from junior to senior team members. In the "F1: The Movie" episode, mentoring and business benefits are explored as a vital mechanism for achieving desired outcomes. The interactions between characters, such as Sonny and Joshua, underscore the maturity required in handling mistakes, as demonstrated when a pit crew member errs during a tire change. The show also illustrates the importance of feedback with a tire changer advising Sonny against publicly defending her, which he humbly acknowledges. </p><p>Key characters like Kate play significant roles akin to mentors; her teamwork monologue resonates deeply with Sonny, similar to a guiding force. The narrative also emphasizes the necessity of being open to mentorship, as seen in Joshua's character development where trust issues with Sonny initially lead to mishaps. Ultimately, the storyline suggests that confidence sometimes stems from external sources, as demonstrated by Sonny's subtle encouragement of Joshua during a card game before the Las Vegas Grand Prix, highlighting the intricate and sometimes covert nature of effective mentoring.</p>]]></content:encoded></item><item><title><![CDATA[Communication At The Movies: F1 The Movie - Getting Things Done]]></title><description><![CDATA[Communication At The Movies]]></description><link>https://www.communicationnewsletter.com/p/communication-at-the-movies-f1-the-377</link><guid isPermaLink="false">https://www.communicationnewsletter.com/p/communication-at-the-movies-f1-the-377</guid><dc:creator><![CDATA[Chad Eaves]]></dc:creator><pubDate>Sun, 10 Aug 2025 22:05:25 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/170618989/2a454b2e618f916d3a344c525148fc08.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<p>In the YouTube series "Communication at the Movies," attention is focused on the dynamic communication strategies exhibited in "F1: The Movie." Set against the thrilling backdrop of Formula 1 racing, the film reveals more than just high-speed entertainment; it serves as a case study on business communication within a high-stakes competitive environment. The narrative is driven by the desired outcomes pursued by team owner Rubin Cervantes, played by Javier Bardem, and his collaboration with rookie driver Joshua Pearce (Damson Idris), veteran driver Sonny Hayes (Brad Pitt), and team technical director Kate McKenna (Kerry Condon). Each character is on a unique journey with personal stakes, reflecting their individual aspirations and the risks they must navigate to achieve their goals. </p><p>Central to the film is the convergence of desired outcomes for each team member. Rubin is under pressure to secure success to protect his interests, while Pearce is eager to realize his potential and excel as a driver. Sonny, balancing dual responsibilities as both a racer and teammate, is determined to secure an elusive type of victory while supporting his friend's predicament and embracing the teamwork ethos championed by Kate. Kate, on her part, ensures the team stays focused to maintain their positions. The film underscores the culture of winning through themes like strategic planning and adaptability, and emphasizes the importance of action over mere hope, encapsulated in the pivotal exchange, "Hope is not a strategy... Go fast."</p>]]></content:encoded></item><item><title><![CDATA[Communication At The Movies: F1: The Movie - Healthy Communication & Feedback]]></title><description><![CDATA[Communication At The Movies]]></description><link>https://www.communicationnewsletter.com/p/communication-at-the-movies-f1-the</link><guid isPermaLink="false">https://www.communicationnewsletter.com/p/communication-at-the-movies-f1-the</guid><dc:creator><![CDATA[Chad Eaves]]></dc:creator><pubDate>Sun, 10 Aug 2025 22:01:31 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/170618501/5b9604464fb0100dfc80feee21d039f6.mp3" length="0" type="audio/mpeg"/><content:encoded><![CDATA[<p>The series "Communication at the Movies" delves into how communication concepts, strategies, and practices are portrayed in films, focusing on both commendable and flawed examples. In the episode featuring "F1: The Movie," the spotlight is on healthy communication, feedback and how these impact business operations. The analysis covers how character interactions significantly contribute to narrative development and the achievement of shared goals. Fans are encouraged to like and subscribe, with a call for suggestions on movies for future communication reviews. </p><p>The film exemplifies healthy communication through accurate and genuine feedback aimed at achieving desired results. Key scenes illustrate these concepts, such as the car performance feedback in the Sonny/Kate scene and the role of Dodge's Chief Mechanic, who provides insightful observations without overstepping. Notable is the Greek restaurant scene where Rubin recruits Sonny by appealing to his ambitions using a visual cue and a hunger to excel in racing. Just as important is knowing when not to engage in a discussion and exercise restraint.</p>]]></content:encoded></item></channel></rss>